Listening Listening Listening is a two-stranded approach to sound and listening in two different settings and environments.
When we listen to a sound, even if you and I hear the same source, the way we perceive it is completely individual. Our backgrounds, our age and even our mood affect the way we make sense of it. This is what makes sound art especially interesting for me. We all hear this but does it mean something different to each of us?
Listening Listening Listening is based on this question in two strands.
The first strand is a multichannel installation in the Gallery Space of the Goethe Institute Ireland. As this work is a fixed work it is much more individual, most likely listened to alone or in silence with others.
The second strand is a live performance in the Auditorium space of the Goethe Institute Ireland. This second strand focuses more on collective listening and the uniqueness of experiencing something together but having an individual perception of it.
Both works are made using sound produced from hand coded patches in Supercollider and Pure data. Both open source softwares.
This work features a sample of ‘What Will We Do When We Have No Money’ played on the concertina by Joseph Julian Grace.
Performance: Saturday 7th November
UNDERGROWTH is an artist-led, immersive experience exploring the relationship between nature, technology and each other and what becomes possible when we create together.
For one evening, The Cube at Project Arts Centre becomes a living environment of darkness, sound, light, organic structures and moving-image. Visitors enter an evolving landscape of roots, branches, fabric and projected imagery, moving through different states of discovery, performance and collective play.
The experience unfolds around a central Tree of Life and a live modular synth performance, with sound, light and visuals responding to the environment and the people within it. Through movement, touch and interaction, visitors actively shape what happens around them. Their bodies, faces and actions become part of a constantly transforming visual world, creating connections between individual and collective experience.
At its heart, UNDERGROWTH asks what happens when we stop being passive spectators and become active participants in creating the world around us. Rather than presenting a fixed vision of the future, the work creates a space to experiment with new ways of connecting, collaborating and imagining what we could create together.
It is an invitation to step inside, interact, contribute and see what emerges.
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