Festival programme
Unmasking Nature Exhibition
Burrow, stim and fidget your way through Unmasking Nature’s sensory feast—foraged from the rich biodiversity of Ireland for the diverse ways people connect to the world around us. Everyone is welcome to our hibernation sanctuary.
SEED (Sensory Experiences of Environmental Data): Signal and Trace
SEED: Signal and Trace presents six new commissions by Shane Finan, Cailean Finn, Adam Gibney, Clíona Harmey, István László and Fiona Mc Donald.
The exhibition asks what we come to know about environmental change when its data is felt rather than read, and what the readings leave out.
Studiotopia
Studiotopia is a project that Cezar Mocan and Hung Lu Chan were the Irish residents as part of this programme and over the duration of the project explored XYZ. Here we see their works exploring XYZ
End of Signal by Cezar Mocan
End of Signal by Cezar Mocan commissioned by Beta Festival as part of the Studiotopia European Project.
Becoming Red Dust 化身紅 by Hung Lu Chan
Becoming Red Dust 化身紅 by Hung Luc Chan commissioned by Beta Festival as part of the Studiotopia European Project.
Memoir 1: Trust We by Adam Gibney
SEED: Signal and Trace presents six new commissions by Shane Finan, Cailean Finn, Adam Gibney, Clíona Harmey, István László and Fiona Mc Donald.
The exhibition asks what we come to know about environmental change when its data is felt rather than read, and what the readings leave out.
Gnomon 1 by Cliona Harmey
SEED: Signal and Trace presents six new commissions by Shane Finan, Cailean Finn, Adam Gibney, Clíona Harmey, István László and Fiona Mc Donald.
The exhibition asks what we come to know about environmental change when its data is felt rather than read, and what the readings leave out.
Inhale Exhale - Cloud Chambers (868MHz Transmitter) by Fiona Mc Donald
SEED: Signal and Trace presents six new commissions by Shane Finan, Cailean Finn, Adam Gibney, Clíona Harmey, István László and Fiona Mc Donald.
The exhibition asks what we come to know about environmental change when its data is felt rather than read, and what the readings leave out.
Bedeguar by István László
SEED: Signal and Trace presents six new commissions by Shane Finan, Cailean Finn, Adam Gibney, Clíona Harmey, István László and Fiona Mc Donald.
The exhibition asks what we come to know about environmental change when its data is felt rather than read, and what the readings leave out.
CPR by Shane Finan
SEED: Signal and Trace presents six new commissions by Shane Finan, Cailean Finn, Adam Gibney, Clíona Harmey, István László and Fiona Mc Donald.
The exhibition asks what we come to know about environmental change when its data is felt rather than read, and what the readings leave out.
Power Creep
Power Creep by Cailean Finn
Power Creep is a sculptural work that examines the relationship between Ireland’s energy landscapes and expanding demands of digital infrastructure driven by developments in Artificial Intelligence. Borrowed from gaming culture, the term power creep describes the gradual escalation of power within a system, where continual growth is required to maintain relevance. In this work, it reflects the exponential expansion of computational infrastructure, and its increasing consumption of energy, water, labour, and land within an Irish context.
Fragmented online digital vernacular is processed using a LLM; with its generated output distributing commands to an automated typewriter. The typewriter acts as both an interface and historical artefact within the computational stack; materialising the resource-intensive infrastructures obscured through the metaphor of the “cloud”. Power Creep reflects on the reconfiguration of the Irish landscape through the very technologies that consume it, asking who really benefits from this digital infrastructure? and what finite costs underpin its exponential ‘creep’?
Location: The Tower, The Digital Hub
Exhibition Dates + Times: 6-22nd of November, Wednesday to Sundays, 12-6pm
Artist Name/s (Pronoun/s): Cailean Finn (He/Him)
The SEED project is funded by a Research Ireland COALESCE Strand 2A grant. It is led by Dr. Trish Morgan from DCU’s School of Communications as Principal Investigator, along with Dr. Shirley Coyle from DCU’s School of Electronic Engineering as co-PI.
Memoir 1: Trust We by Adam Gibney
Memoir 1: Trust We
Memoir 1: Trust We was conceived to live in people's homes rather than in the gallery. It is a distributed network of electro-fitted domestic vases, an infrastructure for community-collected temperature data that speaks to our post-truth landscape, climate change, and climate denial. In its intended form it is a DIY assembly kit: each participant builds their own vase, and each becomes one node in a wider network. This wider deployment remains speculative for now. Exhibited at Beta Festival, is a demonstration of this public telematic artwork.
Each kit includes an external radio-controlled sensor that reads the outside temperature against historical records for that place and date. Only when all three vases independently confirm a daily heat record has been broken does the work activate: a scent is released, a sound marks the moment, and the participant is invited to respond, in writing, drawing, or another mark, to a single open-ended question.
Each broken record prompts one question word, how, why, when, what, where, which, who, and the work runs until the network has moved through them all. The responses gather into a new kind of Ordnance Survey Memoir. In the 1830s, as the Ordnance Survey mapped Ireland, surveyors were directed to compile written accounts of each parish, knowledge the map alone could not hold.
The SEED project is funded by a Research Ireland COALESCE Strand 2A grant. It is led by Dr. Trish Morgan from DCU’s School of Communications as Principal Investigator, along with Dr. Shirley Coyle from DCU’s School of Electronic Engineering as co-PI.
Location: The Tower, The Digital Hub
Exhibition Dates + Times: 6-22nd of November, Wednesday to Sundays, 12-6pm
Artist Name/s (Pronoun/s): Adam Gibney (He/Him)
Listening Listening Listening by Samuel Julian Grace
The F Word is a cross border cultural programme connecting Ireland, France and Germany, bringing together artists, researchers and young people to ask urgent questions about facts, freedom, fragmentation and friction.
asses.masses
Interested in durational performance? In gaming? Have we just the treat for you. Beta Festival is thrilled to present asses.masses a durational performance collectively played by the audience.
Synthesize_Her TRANSMIT Workshop
Build your own radio mesh network communication Device. Over 4 hours, participants learn to build their own mesh network communication device, gaining fundamental skills in electronics, listening and de-centralised infrastructure.
woofy woofy ૮֊˕֊ა੭ bow-wow hauhau - Gabriela Wacławska - The Other Audience Exhibition
An interactive sound installation for dogs where play becomes an art form, inviting them to explore, create music, and, most importantly, play.
Xenocene: A Manifesto in Motion
A performance about the role of AI in the end of Anthropocene.
Augmenting Sound with Ed Devane
Augmenting Sound - a workshop with Ed Devane exploring improvisation and performance using modular sound software
This course is part of the New Obsolescence programme at Fire Station Artists' Studios
Cyberdeck Workshop with Annike Tan
Diy portable and personalised computer workshop! A cyberdeck is a niche hobby originally inspired by cyberpunk fiction, such as the works of William Gibson. They can be as simple or as complex as you’d like and you can use them for anything!
UNDERGROWTH presented by Mystify
UNDERGROWTH is an artist-led, immersive experience exploring the relationship between nature, technology and each other and what becomes possible when we create together.
Thinking about Permacomputing: can we engage with technology sustainably?
An exploration of permacomputing ideas through the process of building a sustainable webring with HTML and CSS
The F Word (Goethe Institut, Samuel Julian Grace & Maureen Béguin)
The F Word is a cross border cultural programme connecting Ireland, France and Germany, bringing together artists, researchers and young people to ask urgent questions about facts, freedom, fragmentation and friction.
The Garden of d@ta by Maureen Béguin
The Garden of d@ta is an installation made of sculptures, performance-vidéos and sound that immerse you in a very special data center in 2050 - build by Maureen Morin, a eccentric tech entrepreneur. The installation is also the set of the performance by the same name.
Exhibition: The Garden of d@ta by Maureen Béguin
The Garden of d@ta is an installation made of sculptures, performance-vidéos and sound that immerse you in a very special data center in 2050 - build by Maureen Morin, a eccentric tech entrepreneur. The installation is also the set of the performance by the same name.
Artist Talk: StimDex - An interactive talk on the ‘Stim-ability’ of Irish Biodiversity
At The Bank, at The Digital Hub, Thomas St, Dublin 8
Saturday 7th November
11:00 - 12:30
Conference Day 2
Beta Festival’s Conference and main discourse programme takes place over the opening weekend on Friday 6th and Saturday 7th November
The F Word - Alliance Française: Panel discussion
On Saturday 7 November, Goethe-Institut Ireland hosts the second night of The F Word, Beta’s programme exploring disinformation, polarisation and the forces shaping how we understand and navigate our increasingly fragmented digital world.
ni**le by Carys D. Coburn
On Saturday 7 November, Goethe-Institut Ireland hosts the second night of The F Word, Beta’s programme exploring disinformation, polarisation and the forces shaping how we understand and navigate our increasingly fragmented digital world.
Tour: Unmasking Nature - Deep Dive into Energy Stories of Dublin
Join us for a storytelling walking tour that uncovers the hidden forces that have powered Dublin through the ages. From Europe's oldest fruit-bearing tree to the potential for power in the heart of the city, we'll explore the surprising stories of energy all around us: past, present and future.
Conference Day 1
Beta Festival’s Conference and main discourse programme takes place over the opening weekend on Friday 6th and Saturday 7th November